Jim Dunlop/MXR
Dunlop Fuzz Face JD-F2
  • The original Fuzz Face is constructed to the vintage specs, with the original Germanium PNP transistor design
  • This is the classic fuzz box used by Jimi Hendrix, Eric Johnson, and more
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Dunlop Fuzz Face JH-F1
  • The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used
  • The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor
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Dunlop Crybaby GCB-95
  • When people talk about wah-wah pedals, they’re talking about the Cry Baby Wahs
  • Original Cry Baby tone, this is the one that created some of the most timeless sounds in rock
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Dunlop Crybaby Wylde Wah
  • Built from the ground up with great tone and rugged durability in mind
  • With guts that have been finely tuned to Zakk's specs, this wah is specially voiced to deliver an extra thick and cutting tone
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Dunlop DVP1 Volume Pedal
  • Control your volume levels with exacting precision with the revolutionary Dunlop Volume Pedal
  • Features a patent pending Steel Band Drive that delivers a smooth range of motion with no strings or ratchet gears
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Dunlop DCB-10 DC Brick
  • More than a power supply, this box is a power conditioner as well
  • The Brick supplies predictable voltage at all times, keeping your effects consistent from show to show
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MXR M-169 Carbon Copy
  • Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay
  • Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen
  • Two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options
  • Completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology
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MXR M-103 Blue Box
  • The Blue Box takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone
  • This is the crazy effect heard on Jimmy Page's "Fool in the Rain" solo
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MXR M-173 Classic Fuzz
  • We've taken the guts of our BC-108 loaded Fuzz Face and placed them in a more pedal-board friendly shape
  • The Classic 108 Fuzz comes in a heavy-duty Phase 100-sized box with a sweet hammertone turquoise finish
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MXR M-104 Distorsion+
  • This little yellow box is responsible for those great distortion sounds heard on so many classic recordings
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MXR M-116 Full Bore Metal
  • Ultimate riff power is yours with the Fullbore Metal Distortion pedal from MXR
  • The Fullbore Metal turbo-charges your guitar signal with lethal amounts of ultra high gain
  • A built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs
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MXR M-193 GT-OD
  • Built from the ground up with the best available components, the MXR GT-OD Overdrive pedal creates smooth, warm, and classic overdrive without excess noise or tone coloring
  • You won't find an overdrive that is more organic, responsive or open sounding
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MXR M-117r Flanger
  • The MXR Flanger creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus and vibrato
  • Back off Width to zero to disengage auto-sweep, then use the Manual knob to physically place the effect anywhere along the frequency spectrum
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MXR M-148 Micro Chorus
  • This 80's reissue delivers a stunning range of rich chorus textures, from sparkly watery shimmers to intense rotating speaker simulation with a twist of the Rate control
  • The Micro Chorus is designed with old-school bucket brigade technology for warm analog tone
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MXR M-152 Micro Flanger
  • The MXR Micro Flanger features many of the same flanging effects of its big brother, but in a smaller and more convenient size
  • Go from jet plane like sweeps to cool outer space type effects with the MXR Micro Flanger
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MXR M-117 Phase 100
  • This big brother of the Phase 90 offers an even broader range of sounds
  • Along with the speed control there is a 4-position rotary switch that selects between four different intensities, defined as preset waveform patterns
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MXR M-101 Phase 90
  • Add a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming
  • Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between
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MXR M-133 Micro Amp
  • Adding a preset amount of gain with just a single control, the Micro Amp is a great way to boost your signal for lead work or adjust between two different guitars with unmatched output
  • It can also provide a permanent boost in a long effects chain where signal drop off is a problem
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MXR M-109 6-Band EQ
  • The MXR 6-Band EQ covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound
  • You can also use the 6-Band EQ in the effects loop of your amp for a huge, sculptable lead boost
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MXR M-132 Super Comp
  • Countless pros rely on the original Dyna Comp in the studio and on stage, now, the updated Super Comp takes that classic one step further
  • The new Attack Level control lets you keep your initial bite and chunk as you pour on the sustain
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